其实胶片原教旨主义坚持的不是胶片的物质性而是物质性携带的权力数字带来的是权力的稀薄化不只是拍摄成本的降低、拍摄手法和画面制作的自由度以及导演、摄影和后期团队对终剪的控制权重商重组更是广义的公众对媒介的access——某种程度上科技带来的是影像的部分解放丰年轻的继拇中文3使用方法是旧结构的打乱和重建丰年轻的继拇中文3使用方法是变相促进了一场民主化影院的神殿属性不会彻底消失只是其空间边界扩展/模糊了好玩的是明明都是控制欲极强的导演芬奇和诺兰从胶片数字之争中得出了关于自身权力的结论截然相反这简直仿佛美国政治左右之争的好莱坞微缩不过资本当然可以找到钳制数字的新方法(如3D滥用)一扇门开了会有新的大门随之诞生最重要的是扫描修复归档喜欢卡梅隆反问:When was it ever real?! 以及老马❤️
Well done film about peoples life in China under Mao. Its not only a great history lesson, since most of us know very little about China, but the few cliches presented by our watered down media. No surprise that it was banned in china. As we follow this families struggle through